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Merrie Klazek

Merrie Klazek - Endorsing Wedge Artist

Endorsing Artist

 

"Rarely have I been so enthusiastic and pleasantly surprised about a new trumpet product. Dave Harrison's mouthpieces are truly exceptional, offering a legitimate and significant bonus to my playing. The design fully compliments the fundamental combination of focused aperture, light pressure, and fluid wind flow, offering increased range (high and low), endurance, and response. My experience with Dave and his products has been an absolute pleasure!"

Merrie Klazek
Principal trumpet
Thunder Bay Symphony Orchestra

 

 

 

Biography

Merrie Klazek completed her Bachelor of Music from the University of Calgary and Master of Music from Northwestern University where she studied with the late Vincent Cichowicz. Merrie is active as a performer and recording artist in orchestral, chamber, solo classical, folk, contemporary, and pop music. Her musical travels have taken her throughout Canada, to Japan, Hungary, Ireland, the United Kingdom, Europe, and the United States. Highlights include performances at the Festiva Dei Due Mondi in Spoleto, Italy; a production of Claude Vivier's “Kopernicus” at the Festival Contemporaire in Strasbourg, France; Mahler's 5th Symphony in Tokyo's Bunka Kaikan Hall; CBC broadcast of the Shostakovich Concerto for piano and trumpet with Marc-Andre Hamelin and Bach's Brandenburg Concerto #2 with the TBSO.

Merrie currently plays Principal trumpet with the Thunder Bay Symphony Orchestra, a position she has held with the TBSO since 1999, and also with the Victoria Symphony (2005) and Orchestra London Canada (1996-99). Merrie teaches at Lakehead University where she has been an instructor since 2001. She has performed in the trumpet sections of the Montreal Symphony, Calgary Philharmonic, Vancouver Symphony, Winnipeg Symphony, and others. Merrie has released a solo recording entitled “Songs to the Moon” with pianist Jennifer Snow, on the Phoenix Records label.


 

Testimonials

"I have no hesitations about recommending the Wedge mouthpiece and, for what it's worth, heartily give the Wedge an enthusiastic 'two thumbs up!' I now have the sizzle that I wanted on the top end, and still have a nice, full lower register. This combination allows me to easily adjust between playing lead, and warm and beautiful solos on my cocktail jazz pieces. I didn't think that one mouthpiece could allow me to play with such varying tonal colors, but this Wedge combination certainly allows me to do it better than with any other mouthpiece that I have tried. I couldn't be happier!"

Dr. Michael Guevara
Cinco Ranch Conservatory of Music