Wedge Mouthpiece

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Comparison Table - Warburton to Other Manufacturers

  War
QM
War Q War KT War 4 War 5 War 6 War 6* War 7 War 7*
Bach 1.5C 10 BB X X X X X X X X X
Bach 1.5C24 BB X X X X X X X X X
Bach 1B7 Schmitt X X X   X X X X X
Curry 10.5C X X X X   X X X X
GR66M X X X X X X X X X
GR66SZ X X X X X X X X X
Mon B4 X X X X X X X X X
Sch 14 X X X X X X X X X
Sch 14A4A X X X X X X X X X
Yam 14C4 X X X X X X X X X

 

 

  War 8 War 8* War 9 War 9* War 10 War 10* War 11 War 11*
Bach 1.5C 10 BB X X X X X X X X
Bach 1.5C24 BB X X X X X X X X
Bach 1B7 Schmitt X X X X X X X X
Curry 10.5C X X X X X X X X
GR66M X X X X X X X X
GR66SZ X X X X X X X X
Mon B4 X X X X X X X X
Sch 14 X X X X X X X X
Sch 14A4A X X X X X X X X
Yam 14C4 X X X X X X X X
 

Testimonials

"I first bought a used 3CC top and beat up Warburton 8* backbore from the internet to give the Wedge a try. Prior to this I was switching back and forth between a GR 65MX and Yamaha Bobby Shew Jazz for jazz and legit, a Reeves 41SV for shows and Latin work, and a Monette BL2 for lead.

When I got the mouthpiece in the mail I immediately brought it to my monthly small group Latin gig. I played two sets on it and was totally impressed with my ability to play to the top of my range, all night, with a completely even, open sound. More than impressed. I woke up the next day to absolutely no pain, swelling, or bruising, a feeling that was totally new to me. I knew that there was something to this rim shape and I had to find out more.

I called Dr. Dave and we talked for a long time. Prior mouthpieces, musical styles, how he discovered and developed his rim concept, etc. We got on great immediately. I wanted to order a couple pieces, and it turned out he was coming to New York the following week. He came to my gig at Birdland and gave me about 4 mouthpieces, including a 5DC top with a heavy medium backbore to try. I played it the whole gig and loved it! I have never instantly bonded with a line of mouthpieces like this before. Smooth from the bottom to the top of my range and I didn't have to change anything about my playing. Endurance, power, evenness, and intonation have all improved considerably. Two days later we were hanging out in a bar comparing mouthpiece scans in his computer over several beers.

After trying several lead tops and backbores, we're still tweaking the perfect one for me. I am totally happy with a 3CC/8* for jazz combo and classical, the 5DC/heavy medium for shows and big band, a 3FLX for flugel, and we're making a top for lead. All through this, Dave has been nothing but attentive and responsive to my needs. He has a great way of customizing pieces for people that don't come in his line, and his new standard line of pieces are great, too. Every time I practice on the Wedge, I feel my chops getting stronger, and I'm working muscles all the way back to my jaw. I want everyone to know about the Wedge, and I recommend them wholeheartedly. Dave's service can't be beat!"

Matt Hilgenberg