Wedge Mouthpiece

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Frequently Asked Questions

Improving the Embouchure

Many players have reported that after as little as one practice session on the Wedge they play better and sound better on their usual mouthpiece. This is true of players who eventually convert to the Wedge, and even in cases where they choose to stay with their regular mouthpiece for most of their playing. It seems that the Wedge design promotes a more forward, corner-controlled set up that translates into better performance on both mouthpieces. In this way the Wedge can be used as a teaching tool to improve the player's embouchure.

Is there a honeymoon period?

The honeymoon period refers to a well recognized phenomenon experienced by many players when changing mouthpieces, especially to one that provides an initial improvement in performance. After a number of days or weeks the initial benefits diminish and the player returns to his or her original baseline range and endurance. It has been suggested that this might result from the chops getting accustomed to the "crutch" provided by the changed characteristic that provided the initial improvement (often a smaller or shallower cup), and becoming weak or "lazy".

The Wedge does not seem to have much of a honeymoon period.

This is because of the unique way in which the Wedge improves performance. The Wedge works by freeing your chops to respond without being restricted by the unnecessary contact between the mouthpiece and lips at the corners. This is a fundamental difference between the Wedge and some other "range enhancing" mouthpieces. Because of this the improvement seen with the Wedge is sustained and actually increases over a matter of weeks.

How long does it takes to acclimatize?

Many players describe an immediate improvement in performance. Increased flexibility is generally recognized immediately, along with a modest improvement in range, which progresses over time. Players have reported progressive improvements over a period of a few weeks.

When do you tire on the Wedge - at the same time as a conventional piece?

Many players report that they have greatly improved endurance on the Wedge. People have also reported one other interesting observation. After playing beyond the point at which they would ordinarily fatigue on a conventional mouthpiece all players will eventually tire. If at this point they switch to a conventional mouthpiece they will regain a few more minutes of playing strength. This should not be confused with the Wedge being more demanding to play than a conventional mouthpiece. This second wind occurs after the player would have ordinarily stopped playing due to fatigue on a conventional mouthpiece. However, the conventional mouthpiece provides enough splinting of the embouchure because of the increased mouthpiece contact to provide a brief second wind.

 

Testimonials

"This new Wedge Mouthpiece came to me just at the right time. I'm the Second Horn player in the Calgary Philharmonic, and we had a Beethoven Festival coming up. You all know how the Second Horn plays everything, and Beethoven can be brutal on the lip. Well, our orchestra had this idea to do the symphonies consecutively, and the last three concerts were the Fourth through Ninth Symphonies on consecutive nights, with dress rehearsals every morning. On top of it all, we were recording the Fifth and the Eighth, with recording sessions after the concerts. Crazy, right? I knew how this was going to cut up my lip, and I wasn't looking forward to it.

I'm not an equipment changer. Before this I had been playing a Holton MC for about thirty years. Then two weeks before the festival Dr. Dave provided me with one of his Wedge Mouthpieces. The bottom of the rim looked so fat and round I immediately thought, "Hey this won't cut me up as bad as what I'm playing", but of course I had to check out how it played first. It took a couple of days to get used to it, but it felt good. I played the Wedge for the festival, and I played fine. I still got cut up, but not as much as I expected. Those big skips that Beethoven liked to write were not a problem. I'm happy. The Horn section is happy. My Music Director is happy. I'm not going back to my Holton MC. I play the Wedge from here out.

Now, can Dr. Dave make a wooden Wedge Mouthpiece for my Alphorn?"

William (Bill) Hopson