Wedge Mouthpiece

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The Wedge Mouthpiece!

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How was the Wedge developed?

The Wedge began as an experiment involving modifications of conventional mouthpieces based on various theories of embouchure formation, how tooth angle affects range, and the anatomy and physiology of the lips and face. The design went through about 40 generations with beta testing by more than 20 players over 6 months. The end result was the following:

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1. Sloping rim at the sides

The areas of the rim in contact with the corners of the embouchure slope sharply away from the center of the mouthpiece. The rim is therefore narrower at the sides than the on the upper and lower segments. Hence The Wedge name.

 

 

 

ssideangle.jpg2. Varying rim contour and high point

The contour and position of the high point changes around the rim. The parts in contact with the upper and lower lips have a high point shifted to the outside by a slight rounding of the inner rim. This produces a relatively soft bite and a sloping contour of the rim. To understand this concept see the rim cross sections on the Top Sizes page.

 

 

 

sfronthighangle.jpg3. Shifted lateral rim contour medially toward the centre of the mouthpiece

The shape of the side rim has the effect of moving the inner cup border toward the middle, and contributing to a slightly oval shape to the cup. The long part of the oval is pointed up and down when playing.

 

 

 

 

 

sside.jpg4. Lateral dip of rim contour

The sloping shoulders also cause a dip in the profile of the rim when viewed from the side. This dip is designed to transfer pressure from the side to the upper and lower rims.

 

 

 

 

shighangle4.jpg5. Changing inner rim bite

The changing rim contour produces a changing inner rim bite, which is sharper and narrower at the sides than on the upper and lower rim.

 

Testimonials

"I first bought a used 3CC top and beat up Warburton 8* backbore from the internet to give the Wedge a try. Prior to this I was switching back and forth between a GR 65MX and Yamaha Bobby Shew Jazz for jazz and legit, a Reeves 41SV for shows and Latin work, and a Monette BL2 for lead.

When I got the mouthpiece in the mail I immediately brought it to my monthly small group Latin gig. I played two sets on it and was totally impressed with my ability to play to the top of my range, all night, with a completely even, open sound. More than impressed. I woke up the next day to absolutely no pain, swelling, or bruising, a feeling that was totally new to me. I knew that there was something to this rim shape and I had to find out more.

I called Dr. Dave and we talked for a long time. Prior mouthpieces, musical styles, how he discovered and developed his rim concept, etc. We got on great immediately. I wanted to order a couple pieces, and it turned out he was coming to New York the following week. He came to my gig at Birdland and gave me about 4 mouthpieces, including a 5DC top with a heavy medium backbore to try. I played it the whole gig and loved it! I have never instantly bonded with a line of mouthpieces like this before. Smooth from the bottom to the top of my range and I didn't have to change anything about my playing. Endurance, power, evenness, and intonation have all improved considerably. Two days later we were hanging out in a bar comparing mouthpiece scans in his computer over several beers.

After trying several lead tops and backbores, we're still tweaking the perfect one for me. I am totally happy with a 3CC/8* for jazz combo and classical, the 5DC/heavy medium for shows and big band, a 3FLX for flugel, and we're making a top for lead. All through this, Dave has been nothing but attentive and responsive to my needs. He has a great way of customizing pieces for people that don't come in his line, and his new standard line of pieces are great, too. Every time I practice on the Wedge, I feel my chops getting stronger, and I'm working muscles all the way back to my jaw. I want everyone to know about the Wedge, and I recommend them wholeheartedly. Dave's service can't be beat!"

Matt Hilgenberg